Ever since I can remember I've been drawn to stories that live in the quiet collapse between what we say and what we mean. The silence that builds in long-term relationships. The weight of a look that lasts a second too long. I make films about people trying to say something and failing—beautifully. Terribly. Often at the same time.

I operate in character-first, performance-driven drama. I care about raw, rhythm, restraint. The moment after the moment. I’m not precious about process—but I push to get it honest.

My stories are small. Focused. A little raw around the edges.
I’m not chasing spectacle—I care about what’s happening between two people in a room when no one’s pretending anymore.

I make films because I’m still figuring things out.
Because sometimes it’s easier to write it than to say it.
And if someone else sees themselves in it—that’s the whole point.